Paper 44: The Celestial Artisans/ /Archangel

Paper 43          Paper 45

For Biblical cross-references for all Sections: click here.

Introduction

p1: Among the courtesy colonies of the various divisional and universe headquarters worlds, may be found the unique order of composite personalities…: The deletion of the comma after worlds is the only one of the committee’s recommendations that allows the reasonableness of the original but recommends the change because both publishers have long since adopted the change.

Morontia etymology: In general (m) material substance (mor) is like (on) this thing (-tia).
By Chris Halvorson: “that which is (-tia) akin to (on) matter (mor)”
Note also: mor–Danish origin 1930’s, refering to humus formed under acidic conditions.

p3Havona etymology by Chris Halvorson: “the “new heaven” (Rev:21.1).” “-a = L. noun suffix (first declension, nominative) = U.B., general noun suffix, used to indicate the additional specific meanings of the coined name”

p16Uversa etymology by Chris Halvorson: “the hub of the superuniverse that is the seventh expression of triune pattern (“U” is the 21st letter of the alphabet, and 21 equals 7 times 3. Hence, the headquarters worlds of the other superuniverses are Cversa, Fversa, Iversa, Lversa, Oversa, and Rversa. The “U” notation is also used in “Umajor the fifth” and “Uminor the third”.)” “versa = L., focus, hub (see endnote entitled “Versa”)”
“Verse:
masculine: metrical sequence of words (He wrote a verse.); also, versus (plaintiff versus defendant); feminine: poetical character (She wrote in verse.); also, vice versa (vice = in the place of another + versa = focus, hub)
“Versa is the nondirectional aspect of “a turning”, that is, the hub; while versus is the directional aspect, the rotation.”

p21Urantia etymology by Chris Halvorson: “specific: Urantia = (y)our heavenly place (i.e., in the cosmos)” “-tia = noun-forming suffix < -t- of L. past participle stem + -ia (cf., -tion and -ion)” “U.B.: “-tia” is indicative of impersonal, while “-ia” is more personal”

Section 1: The Celestial Musicians

melody is used eight times in 44:1. The other three occurrences are at: (48:7.12), (132:6.3), and (195:7.20).

p11: Jerusem etymology by Chris Halvorson: “the “new Jerusalem” (Rev:21.2).

cross-references:

p1beyond human appears eight times, followed six times by comprehension and once by understanding and imagination: (8:2.4), (12:7.12), (14:3.8) (17:1.6), (38:2.3), (42:10.7), (44:1.1), (48:2.20).

Section 2: The Heavenly Reproducers

cross-references:

Section 3: The Divine Builders

cross-references:

Section 4: The Thought Recorders

p3Nebadon etymology by Chris Halvorson: “the first (a) nebular (neb-) upland (don) (The local universe level is the local upland relative to the lowlands where mortals begin their ascension careers in the Milky Way spiral nebula.).” “don < O.E., dun = n., down = upland”

p8Edentia etymology:  The specific, original and/or archetypal (E) edenic (eden) place (-tia).
By Chris Halvorson: “the (eden)ic place (-tia)”

cross-references:

Section 5: The Energy Manipulators

cross-references:

p5divine energy is used five times: (42:1.5), (44:5.5), (51:1.3), (94:6.8), (145:3.14)

Section 6: The Designers and Embellishers

cross-references:

Section 7: The Harmony Workers

cross-references:

Section 8: Mortal Aspirations and Morontia Achievements

p4Mota etymology by Chris Halvorson: “[inherent] motion (Mota–the transcendent harmonization of science, philosophy, and religion–is innately dynamic, moving.)”

cross-references:

Etymologies:

Maps:

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